Having just watched COE episodes 2-5 back-to-back ...
Um. OK, RTD, I think I see what you did thar. You wanted to show you could write a Whoniverse adventure with major dramatic tension and character heartbreak and genuinely impossible moral dilemmas, as opposed to a few million CGI Daleks saying "Exterminate!"
Well fuck me, I reckon you succeeded.
Not sure what to say about this, except that having stayed basically spoiler-free I didn't expect any of the major plot developments, and that it was a combination of awesome and a complete parting of the ways as far as the future direction of the show (if it has one) goes. It actually lived up to its billing as a TV Event. There were a lot of really disturbing things going on in the plot ("Contains some scenes which some viewers may find upsetting", said the warnings. No shit), things that you would expect to have knock-on effects on other parts of the Whoniverse. Torchwood as we knew it is practically dead and buried now.
Yes, I expect that many, or indeed most, fans are going to hate the last two episodes with the firey passion of a thousand burning suns. I can understand that. It went from a show that was delivering major fanservice (naked!Barrowman, lots of Janto) to one that basically tore up the rule book as far as its established rules of procedure and indeed the normal rules of series development went (and Ianto's speech to the comatose Jack in The Dead Line sure looks like Foreshadowing now). But even though it may well have practically killed its fandom overnight (I am totally not looking forward to finishing my TW gift-fic-in-progress), boy was it a standout bit of drama. No, it really was. I was glued to the screen, and the tension was stifling (this is a good thing for a TV drama, btw).
Someone (
lizbee, I think) mentioned in an earlier review that they wisely didn't ask Barrowman and David-Lloyd to carry more of the acting load than they could handle, and I think that was right. Eve Myles was terrific throughout, and the regular thesps brought in to play the Government and family parts were outstanding.
Again, as with The Dead Line, we never did find out exactly what the 456 were (I'm sure I wasn't the only person who saw the poison gas tank and the swirly pincer things inside and immediately thought "Russ, are you bringing back the Macra again?"). This was probably a good choice, as was the broken nature of the victory -- it wasn't clear how well the 456 had been driven off or whether they might be back, and although it hurt, in terms of dramatic tension it wouldn't have worked half as well if they hadn't actually killed off Ianto and Jack's kid.
There are some possibilities for adding characters for a new hard-edged version (Lois, and who exactly were the Government hit squad types again?), and there are I suppose chances of some sort of reset via DW (because I wouldn't be at all surprised if that's how the specials are heading). Some dodgy bits, yes (although if anyone tries to tell me that RTD has an anti-gay agenda for killing off Ianto, they will get short shrift). And was it just me who was wondering what Sarah Jane and the gang were supposed to be doing here? I suppose the in-show reason why they didn't call up the Doctor via a superphone was that they didn't have the chance before they went on the run, and Martha was conveniently out of the way. On a lighter note, I was amused to see a character called Rhiannon Davies. I just thought I'd mention that. No, no crossover fics.
So, mixed reactions, a love it or hate it thing. While watching it, and with these initial impressions, I loved it. When the implications sink in, maybe I'll hate it. But since TW was always something I watched for spin-off reasons rather than as a primary fandom, maybe it'll be something between the two.
Um. OK, RTD, I think I see what you did thar. You wanted to show you could write a Whoniverse adventure with major dramatic tension and character heartbreak and genuinely impossible moral dilemmas, as opposed to a few million CGI Daleks saying "Exterminate!"
Well fuck me, I reckon you succeeded.
Not sure what to say about this, except that having stayed basically spoiler-free I didn't expect any of the major plot developments, and that it was a combination of awesome and a complete parting of the ways as far as the future direction of the show (if it has one) goes. It actually lived up to its billing as a TV Event. There were a lot of really disturbing things going on in the plot ("Contains some scenes which some viewers may find upsetting", said the warnings. No shit), things that you would expect to have knock-on effects on other parts of the Whoniverse. Torchwood as we knew it is practically dead and buried now.
Yes, I expect that many, or indeed most, fans are going to hate the last two episodes with the firey passion of a thousand burning suns. I can understand that. It went from a show that was delivering major fanservice (naked!Barrowman, lots of Janto) to one that basically tore up the rule book as far as its established rules of procedure and indeed the normal rules of series development went (and Ianto's speech to the comatose Jack in The Dead Line sure looks like Foreshadowing now). But even though it may well have practically killed its fandom overnight (I am totally not looking forward to finishing my TW gift-fic-in-progress), boy was it a standout bit of drama. No, it really was. I was glued to the screen, and the tension was stifling (this is a good thing for a TV drama, btw).
Someone (
Again, as with The Dead Line, we never did find out exactly what the 456 were (I'm sure I wasn't the only person who saw the poison gas tank and the swirly pincer things inside and immediately thought "Russ, are you bringing back the Macra again?"). This was probably a good choice, as was the broken nature of the victory -- it wasn't clear how well the 456 had been driven off or whether they might be back, and although it hurt, in terms of dramatic tension it wouldn't have worked half as well if they hadn't actually killed off Ianto and Jack's kid.
There are some possibilities for adding characters for a new hard-edged version (Lois, and who exactly were the Government hit squad types again?), and there are I suppose chances of some sort of reset via DW (because I wouldn't be at all surprised if that's how the specials are heading). Some dodgy bits, yes (although if anyone tries to tell me that RTD has an anti-gay agenda for killing off Ianto, they will get short shrift). And was it just me who was wondering what Sarah Jane and the gang were supposed to be doing here? I suppose the in-show reason why they didn't call up the Doctor via a superphone was that they didn't have the chance before they went on the run, and Martha was conveniently out of the way. On a lighter note, I was amused to see a character called Rhiannon Davies. I just thought I'd mention that. No, no crossover fics.
So, mixed reactions, a love it or hate it thing. While watching it, and with these initial impressions, I loved it. When the implications sink in, maybe I'll hate it. But since TW was always something I watched for spin-off reasons rather than as a primary fandom, maybe it'll be something between the two.
no subject
Date: 2009-07-11 06:27 am (UTC)If the show goes on, it's pressing a huge reset button, with all new characters (except maybe Gwen?) and a new setting. I liked Lois. Maybe it's a good idea, and I'm sure we will be able o love new characters, but the new Torchwood will always be fighting for the spot of the old Torchwood in the fans' minds, and I'm not sure that's a good idea.
no subject
Date: 2009-07-11 12:41 pm (UTC)I think a new Torchwood might include Jack, although probably as co-lead with Gwen rather than on his own (as John Barrowman actually isn't that great an actor, really). And they have several spare Whoniverse characters around who might be drafted in to give some sort of continuity. (Mickey, for example, or Lois or even Johnson from this one.) I have a suspicion that Freema going off to ITV threw all their plans out, and perhaps they felt they might as well rethink from scratch.
no subject
Date: 2009-07-12 09:09 pm (UTC)All said, it was absolutely harrowing, with a lot of truly frightening observations about politics and human nature. I must admit I did sort of hope that the Doctor would magically appear to fix things, but the ending as it stands made a lot more sense, and worked far better. Especially Jack running away in the final scene.
no subject
Date: 2009-07-12 09:44 pm (UTC)Apparently both Martha and Mickey were originally planned to be in this, but neither Freema Agyeman nor Noel Clarke were available at the right time. Pity.
no subject
Date: 2009-07-12 10:29 pm (UTC)That is a pity about both Martha and Mickey, although I don't really know how they'd have fit in, now that I try to see it in retrospect...
no subject
Date: 2009-07-12 11:48 pm (UTC)